Top 250+ Solved Literary Criticism MCQ Questions Answer

From 16 to 30 of 274

Q. Whose misfortunes should an ideal plot depict?

a. hero

b. antagonist

c. chorus

d. family

  • a. hero

Q. Which unity has not been mentioned by Aristotle?

a. time

b. action

c. place

d. all these

  • c. place

Q. What is the structure of Longinus’ “On the Sublime”?

a. epistolary

b. narrative

c. discussion

d. discursive

  • a. epistolary

Q. What is the excessive use of verbal ornamentation that obstructs the natural use of languageand hence it should be avoided?

a. grandiloquence

b. puerility

c. elaboration

d. exaggeration

  • a. grandiloquence

Q. How many sources of sublimity are mentioned by Longinus?

a. four

b. three

c. five

d. two

  • c. five

Q. Which figure of speech is useful in heightening expression, in the opinion of Longinus?

a. hyperbation

b. periphrasis

c. asyndeton

d. none of these

  • c. asyndeton

Q. When was the pastoral romance Arcadia was published?

a. 1579

b. 1576

c. 1575

d. 1580

  • a. 1579

Q. Eliot states, “A common inheritance and a common cause unite artists

a. consciously or unconsciously”

b. interactively”

c. by unseen thread”

d. subconsciously”

  • a. consciously or unconsciously”

Q. Eliot believes that between the true artists of any time there is

a. an unconscious community

b. a mutual understanding

c. a vast difference

d. an unbound thread

  • a. an unconscious community

Q. Eliot feels that the second-rate artist cannot afford to surrender himself to any

a. concrete idea

b. common action

c. universal detail

d. philosophical idea

  • b. common action

Q. To Eliot, the chief tools of the critic are,

a. reading and composition

b. reading and comprehension

c. composition and analysis

d. comparison and analysis

  • d. comparison and analysis

Q. Eliot states. “The critical activity finds its highest, its true fulfillment in a kind of union with creation in the

a. labour of the artist”

b. composition of the poet”

c. works of poets and prose writers”

d. creation of the artist”

  • a. labour of the artist”
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