Top 150+ Solved Introduction to Cinema MCQ Questions Answer
Q. The life of Eskimos is pictured by Robert Flaherty in his classical documentary ……
a. man of aran
b. nanook of the north
c. nanook of the south
d. man of arabia
Q. Jib arm is a/an……………………….
a. arm of the camera
b. transition device in video film editing
c. device on which camera lense is mounted for flexible movement
d. none of the above
Q. Which among the following is a mismatch?
a. andre bazin – what is cinema
b. eisenstein – film form
c. adoor gopalakrishnan – sculpting time
d. gerald mast – a short
Q. During the evolutionary period of cinema Eadweard Muybridge experimented theshooting of …………………………
a. a fireman extinguishing fire
b. workers leaving a factory
c. the sneeze of a lab assistant
d. the galloping of a horse
Q. Father of African Cinema
a. auguste lumiere
b. thomas alva edison
c. edwin s. porter
d. osmane sembene
Q. Edison is considered the father of movie studio. His studio was known as ………….
a. edison parlour
b. film strip parlour
c. black maria
d. black edison
Q. “2001 A Space Odyssey” is directed by………………………….
a. steven spielberg
b. stanley kubrick
c. francis ford cappola
d. emile cohl
Q. Satyajit Ray’s Apu trilogy consists of Pather panchali, Aparajito and ……………….
a. mahanagar
b. apursansar
c. devi
d. kanchanjungha
Q. The first shot is a man looking up. The second shot is a low angle shot of a high riseapartment. The second shot is a .................shot
a. long shot
b. mid – shot
c. extreme long shot
d. point - of – view
Q. Which is Walt Disney’s first feature film?
a. snow white and seven dwarfs
b. the three little pigs
c. fantasia
d. trouble in paradise
Q. The second Malayalam feature film “Marthanda Varma”, produced by Sundar Raj wasdirected by
a. k. gopinath
b. j.c. daniel
c. v. v. rao
d. johnson
Q. A colored lens or paper that is placed in between the light source and the subject to eitherdarken or lighten a particular colour is a……….
a. filter
b. transparency
c. barn door
d. aperture
Q. Generation loss is the most minimal in
a. nonlinear editing
b. transferring
c. linear editing
d. assemble editing